Randy Barracuda of Imatran Voima: New album & interview

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    • Randy Barracuda of Imatran Voima: New album & interview

      He just released his first solo album. Highly recommended!




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      full length review + interview:
      http://cosmicrockdontstop.blogspot.com


      teaser:

      C.R.: I just listened to The Message again yesterday, and it now it felt like proto-skweee to me: the slow pace, the erratic, chopped up rhythm, the deep funk combined with weird electronic sounds. Has the whole world suddenly turned skweee or has it been around us all the time? What other songs/artists influenced the sound of skweee, and what artists were influential for your own sound?

      Randy: Well, The Message was definitely one of those tracks that "did it" to me when I was a teenager. I remember getting high and listening to it over and over again. It also influenced "Duck Butter" for example. Other artists that were extremely influential for me: Parliament, Kraftwerk, Ramsey 2C-3D, Zapp, Airplay & Troy The Wonderboy, Whodini, Dr. Dre... Also synth pop, leftfield disco, modern R&B and Chicago acid played a big role. A lot of the tracks that now sound like proto-skweee (Ryuichi Sakamoto: Riot In Lagos, Pekka Airaksinen: Buddhas Of Golden Light...) I hadn't heard back then, so I can't really say that they influenced me.

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      C.R.:Your album seems like quite a departure from the hectic & aggressive sounds that dominated the last Imatran Voima record. Also, seeing how diverse the tunes are, is this rather a collection of songs you made over the years or is there an overarching concept behind it?

      Randy: When I listen to the last Imatran Voima album now, I can't really recognize myself in it anymore. It’s definitely the soundrack for the years 2005 - 2007: angry, chaotic, distorted and paranoid. It wasn't the easiest time of my life: Speed, alcohol and despair were the keywords for that period. Or like me and Jaakko (Fresh-O-Lex) used to say: fear, self-loathing, hate and industrial alienation.

      Last week I finished "Notes From Underground" by Dostoyevsky and just started giggling because it really reminded me of those days. Alone in the basement, frustrated and broke, stench of mold in my nostrils.

      I'm very glad that you asked if the new album is just a compilation of tracks: It definitely is. After making two concept albums I wanted to let myself go and just make a straightforward record with no higher structure behind it. It's almost like an old library record (The electronic moods of Barracuda or some shit like that). Musicwise it's an homage to my psychedelic roots: Can, Harmonia, Kraftwerk (surprise, surprise), Tangerine Dream, La Düsseldorf, Hawkwind, Captain Beefheart and also modern soul with its rich and luscious synthesizer sounds and smooth soulful vocals...

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